
The study of orchestration
by Samuel Adler (2002)
Like 'Voice Leading', this book delves into the technical aspects of musical composition and arrangement.

by David Huron (1988)
A clear and accessible volume spanning the entire theory course, HARMONY AND VOICE LEADING, 5th Edition, begins with coverage of basic concepts of theory and harmony and moves into coverage of advanced dissonance and chromaticism. It emphasizes the linear aspects of music as much as the harmonic, and introduces large-scale progressions--linear and harmonic--at an early stage. In the fifth edition, starting with Unit 4, the upper- and lower-case system of Roman numeral analysis has been incorporated to facilitate students’ recognition of chord quality. In addition, Schenker’s notion of linear progressions--an important concept in later, more advanced work in tonal analysis--is informally introduced in Unit 11. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
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by Samuel Adler (2002)
Like 'Voice Leading', this book delves into the technical aspects of musical composition and arrangement.

by Edward Aldwell (1988)
Similar to 'Voice Leading', this text provides a foundational understanding of harmonic principles and voice motion.
by William Forde Thompson
As 'Voice Leading' explores the science behind music perception, this book examines the cognitive processes involved in music.
by R. Ashley Burgoyne
This book, like 'Voice Leading', investigates the scientific underpinnings of musical understanding and practice.
by Johann Joseph Fux (1965)
While 'Voice Leading' explains the science, Fux's classic offers a historical and practical approach to contrapuntal composition.
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