
Hit Men: Power Brokers and Fast Money Inside the Music Business
by Fredric Dannen (1990)
Like 'How Music Got Free', this book dives into the ruthless business of the music industry.

by Stephen Richard Witt (2015)
This book is a riveting story of obsession, music, crime, and money, featuring visionaries and criminals, moguls and tech-savvy teenagers. It's about the greatest pirate in history, the most powerful executive in the music business, a revolutionary invention and an illegal website four times the size of the iTunes Music Store. Journalist Stephen Witt traces the secret history of digital music piracy, from the German audio engineers who invented the mp3, to a North Carolina compact-disc manufacturing plant where factory worker Dell Glover leaked nearly two thousand albums over the course of a decade, to the high-rises of midtown Manhattan where music executive Doug Morris cornered the global market on rap, and, finally, into the darkest recesses of the Internet. Through these interwoven narratives, Witt has written a thrilling book that depicts the moment in history when ordinary life became forever entwined with the world online -- when, suddenly, all the music ever recorded was available for free. Witt introduces the unforgettable characters -- inventors, executives, factory workers, and smugglers -- who revolutionized an entire artform, and reveals for the first time the secret underworld of media pirates that transformed our digital lives. - Publisher.
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by Fredric Dannen (1990)
Like 'How Music Got Free', this book dives into the ruthless business of the music industry.

by Kelefa Sanneh (2021)
Similar to 'How Music Got Free', this explores the evolution and impact of popular music genres.

by Liz Pelly (2025)
Following 'How Music Got Free', this examines the modern music landscape shaped by streaming technology.

by Jacquie McNish (2015)
Like 'How Music Got Free', this details a tech industry's dramatic rise and fall due to innovation and market shifts.

by Dan Ozzi (2021)
Echoing 'How Music Got Free', this chronicles the complex relationship between independent music and major labels.
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