
The Stranger
by Albert Camus (1942)
Like 'Crimen y castigo', it explores a protagonist's detached mindset leading to murder.

by Fiódor Mijáilovich Dostoyevski (1866)
Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat-and-mouse with Porfiry, a suspicious detective, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden prostitute, can offer the chance of redemption. As the ensuing investigation and trial reveal the true identity of the murderer, Dostoyevsky's dark masterpiece evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.
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by Albert Camus (1942)
Like 'Crimen y castigo', it explores a protagonist's detached mindset leading to murder.

by Oscar Wilde (15)
Like 'Crimen y castigo', it delves into a young man's psychological and moral downfall.

by Patricia Highsmith (1955)
Like 'Crimen y castigo', it features a morally ambiguous protagonist driven by desire and deception.

by Oyinkan Braithwaite (2018)
Like 'Crimen y castigo', it examines the consequences and complexities of dealing with a murderer.

by Leo Tolstoy (1866)
Like 'Crimen y castigo', it offers an intense psychological study of a man confronting mortality.
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